THE GOLD & SILVER GUIDE
MIXED METAL JEWELLERY HOW TO WEAR GOLD & SILVER TOGETHER
The old rule said choose gold or silver. The better rule? Wear both.
Discover how to style mixed metal hoops, two-tone rings, layered necklaces and gold-and-silver ear stacks so every piece looks deliberately chosen.
SHOP MIXED METAL JEWELLERYTHE QUICK ANSWER
CAN YOU MIX GOLD AND SILVER JEWELLERY?
Yes, you can wear gold and silver jewellery together. The combination looks most intentional when both metals appear more than once, one piece connects the two tones and the jewellery shares a common detail such as shape, scale or finish.
Mixed metal jewellery removes the need to choose between warm gold and cool silver. It also makes it easier to wear sentimental pieces, everyday favourites and newer designs together rather than dividing your jewellery box by colour.
The easiest place to begin is with one piece of two-tone jewellery. A pair of mixed metal hoops can connect gold huggies with silver studs, while a mixed metal ring can bring separate gold and silver bands into one considered stack.
CHOOSE A BRIDGE PIECE
Begin with one design that already combines gold and silver. This becomes the link between every other piece you add.
REPEAT BOTH METALS
Wear each tone at least twice. Repetition makes a mixed metal jewellery look feel deliberate rather than accidental.
KEEP ONE DETAIL CONSISTENT
Connect the pieces through a shared shape, polished finish, proportion or design language instead of matching the colour.
THE DEFINITION
WHAT IS MIXED METAL JEWELLERY?
Mixed metal jewellery is the styling term for wearing two or more metal colours or finishes together—most commonly warm gold and cool silver.
The contrast can appear within one design, such as a pair of gold-and-silver hoops or a two-tone ring, or it can be created by combining separate gold and silver pieces in the same look.
A mixed metal jewellery look does not require every piece to contain both colours. One two-tone design can act as the connection, making the gold and silver jewellery around it feel intentionally related.
MIXED METAL JEWELLERY
Two or more metal colours worn together, either within one piece or across several earrings, rings, necklaces or bracelets.
TWO-TONE JEWELLERY
One individual piece intentionally designed with two contrasting finishes, usually gold and silver.
THE STYLING FORMULA
HOW TO MIX METALS: THE GALLERIA ARMADORO METHOD
The secret to mixing gold and silver jewellery is not perfect symmetry. It is repetition, proportion and one detail that connects the entire look.
Use these five styling rules when combining mixed metal hoops, two-tone rings, layered necklaces or several pieces across the same jewellery look.
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01 THE ANCHOR
START WITH A BRIDGE PIECE
Begin with one design that already combines gold and silver, such as a pair of mixed metal hoops, a two-tone ring or a gold-and-silver charm.
This piece becomes the visual link between every other item you add, so separate gold and silver jewellery immediately feels connected.
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02 THE BALANCE
CHOOSE A LEADING METAL
A mixed metal look does not need to be divided perfectly between gold and silver. Let one metal lead and use the other as a deliberate contrast.
You might wear predominantly gold earrings with one silver huggie, or build a silver ring stack around one sculptural gold band.
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03 THE REPEAT
BRING THE SECOND METAL BACK
Repeat the contrasting metal somewhere else in the look. One silver earring can feel isolated; a silver earring echoed by a ring or necklace looks intentional.
The repeat can be subtle. A small huggie, charm, ring band or chain detail is often enough.
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04 THE CONNECTION
MATCH SHAPE, SCALE OR FINISH
Jewellery does not need to match in colour when another design detail connects it. Pair rounded gold hoops with curved silver huggies, or combine rings with similarly polished surfaces.
Repeating a shape, proportion or finish creates cohesion without making the styling feel too uniform.
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05 THE SPACE
LET EACH PIECE BE SEEN
Leave enough space for the contrast between gold and silver to remain visible. Separate necklace lengths, vary ring widths and avoid crowding every piercing with pieces of the same size.
Space gives mixed metal jewellery definition and allows each finish to contribute to the complete look.
THE MIXED METAL EAR
MIXED METAL HOOPS
HOW TO BUILD THE EAR AROUND THEM
To style mixed metal hoops, make the two-tone hoop the largest piece in the ear and repeat its gold and silver finishes in smaller earrings above it.
The earrings do not need to match exactly. Vary the scale, keep one shape or finish consistent and let both metal tones reappear across the ear. The result feels connected without looking too coordinated.
THE FOUR-PIECE FORMULA
START WITH THE HOOP. THEN REPEAT THE METALS.
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01
ANCHOR THE FIRST LOBE
Begin with the Tina two-tone hoops. Their twisted gold and silver finish introduces both metals in one sculptural piece.
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02
ADD A SECOND MIXED DETAIL
Place a smaller mixed metal huggie above the hoop. It carries the gold-and-silver combination higher through the ear.
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03
CHANGE THE SCALE
Add a close-fitting gold huggie next. The smaller size creates a gradual line while repeating the warmer metal.
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04
FINISH WITH SILVER
A small silver stud brings the cooler finish back at the top of the ear and completes the connection to the Tina hoops.
SHOP THE LOOK
THE EXACT MIXED METAL EAR
One two-tone hoop, one mixed detail, one gold repeat and one silver finish.
THE ANCHOR
TINA TWO-TONE TWISTED HOOPS
Gold and silver meet in one twisted hoop, creating the starting point for the entire mixed metal ear.
SHOP TINA HOOPSTHE MIXED DETAIL
SAMIRA TRIPLE RING HUGGIE
A smaller linked detail that continues the mixed-metal effect into the second lobe.
SHOP SAMIRATHE GOLD REPEAT
6.5 MM JUMBO GRADUATED HUGGIE
A close-fitting gold huggie that changes the scale and repeats the warmer finish higher on the ear.
SHOP THE GOLD HUGGIETHE SILVER FINISH
TRUE LOVE SILVER STUD
A small sterling-silver stud that completes the metal repeat without competing with the larger hoop.
SHOP TRUE LOVETHE CURATED EAR
HOW TO BUILD A MIXED METAL EAR STORY
A mixed metal ear story works best when one two-tone huggie sets the palette, then gold and silver tones are repeated in smaller pieces at different points of the ear.
The aim is not to make every earring match. Create a visual thread through colour, curve and proportion, while allowing each piercing to introduce something different.
THE HERO PIECE
MAURA CONNECTS THE WHOLE EAR
The Maura two-tone huggie combines warm gold with a cool white-rhodium finish, making it the bridge between the gold and silver pieces around it.
Place Maura in the first or second lobe and build outwards. Add one cooler-toned detail, repeat the two-tone finish once more, then leave enough space for every silhouette to remain visible.
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01
SET THE PALETTE WITH MAURA
Begin with the strongest mixed metal huggie. Maura introduces both finishes before the rest of the ear stack is added.
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02
ADD SILVER HIGHER ON THE EAR
A silver ear cuff carries the cooler finish away from the lobe and creates another level within the stack.
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03
REPEAT THE TWO-TONE DETAIL
A second mixed metal huggie makes the gold-and-silver combination feel deliberate without repeating the exact same design.
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04
FINISH WITH A SMALL GOLD STUD
Place the Drippy Croissant stud higher on the ear. Its smaller scale brings the gold finish back without competing with the two-tone huggies below it.
SHOP THE EAR STORY
FOUR PIECES.
ONE VISUAL THREAD.
Begin with Maura, introduce a silver cuff, repeat the two-tone finish, then add one small gold stud to complete the metal balance.
THE CONNECTOR
MAURA TWO-TONE HUGGIE
The gold-and-white-rhodium anchor that sets the palette for the complete mixed metal ear.
SHOP MAURA
THE SILVER LINE
MINA SILVER EAR CUFF
A cool-toned mid-ear detail that adds height to the stack without requiring another piercing.
SHOP MINA
THE TWO-TONE REPEAT
AMARA KYMA TWO-TONE HUGGIE
A second mixed metal note with a fluid silhouette that relates to Maura without copying it.
SHOP AMARA
THE GOLD FINISH
DRIPPY CROISSANT GOLD STUD
A small sculptural stud that repeats the warmer metal at the top of the ear without overwhelming the mixed metal huggies.
SHOP DRIPPY CROISSANTBEYOND GOLD & SILVER
MIXED METAL CAN BE BLACK & GOLD, TOO
Mixed metal jewellery is not limited to gold and silver. Any deliberate combination of contrasting metal colours or finishes can create a mixed metal design—including polished gold paired with black rhodium.
The contrast is stronger and more graphic than a traditional gold-and-silver pairing. Gold brings warmth, while black rhodium creates definition around the shape of the Vittoria charm.
Within the Vittoria range, the combination appears across earring charms and necklace hook charms. Here, we begin with the ear; the necklace story follows later in the guide.
THE HIGH-CONTRAST MIX
GOLD FOR THE LIGHT. BLACK RHODIUM FOR THE LINE.
The easiest way to style black-and-gold mixed metal earrings is to make the Vittoria charm the focal point, then surround it with simpler gold huggies in progressively smaller sizes.
The black-rhodium finish gives the charm a defined outline, so it does not need to compete with several other statement earrings. Keep the surrounding pieces polished, close-fitting and quieter.
An 11 mm huggie works well as the principal lobe piece. Add an 8.5 mm huggie above it, followed by a 6.5 mm huggie higher on the ear for a gradual, considered line.
LET THE CHARM LEAD
Use the gold-and-black Vittoria charm as the strongest point in the ear rather than adding several equally bold designs.
KEEP THE HUGGIES POLISHED
Plain gold huggies allow the black-rhodium detail to remain visible while repeating the warmer finish across the ear.
GRADUATE THE SIZES
Move from 11 mm to 8.5 mm and then 6.5 mm so the ear stack becomes lighter and closer-fitting as it travels upwards.
SHOP THE VITTORIA EAR
CHOOSE THE CHARM. THEN CHOOSE THE SCALE.
Wear Vittoria in a polished gold finish or choose the stronger contrast of gold and black rhodium, then build the remaining ear with progressively smaller huggies.
THE ALL-GOLD VERSION
11 MM HUGGIE WITH VITTORIA GOLD CHARM
A warmer, tonal interpretation of Vittoria for a predominantly gold ear stack.
SHOP GOLD VITTORIA
THE MIXED METAL HERO
VITTORIA GOLD & BLACK HUGGIE SET
Polished gold meets black rhodium for the strongest, highest-contrast version of the Vittoria ear.
SHOP BLACK & GOLD VITTORIA
THE SECOND LOBE
8.5 MM GOLD HUGGIE
A smaller polished huggie that repeats the gold finish without competing with the Vittoria charm.
SHOP 8.5 MM HUGGIE
THE FINAL SCALE
6.5 MM GOLD HUGGIE
The smallest huggie in the stack, designed to complete the gradual line higher on the ear.
SHOP 6.5 MM HUGGIETHE MIXED METAL NECK
HOW TO LAYER GOLD & SILVER NECKLACES
To create a mixed metal necklace stack, layer gold and silver chains at clearly different lengths, vary the textures and use one charm or detail to connect the complete look.
The necklaces do not all need to be two-tone. A silver chain, a gold chain and one neutral cord can create a deliberate mixed-metal combination when each layer has a distinct position and purpose.
THE THREE-LAYER FORMULA
ONE COLOUR BREAK. ONE SILVER LINE. ONE GOLD REPEAT.
The easiest mixed metal necklace stack begins with three layers that perform different jobs rather than three chains competing for the same space.
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01
THE COLOUR BREAK
BEGIN WITH A CORD NECKLACE
A slim cord creates a visual pause between metallic finishes. The lapis paisley evil eye adds depth and colour without introducing another heavy chain.
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02
THE COOLER LAYER
ADD THE SILVER PAPERCLIP CHAIN
Place the silver chain at a separate length so its cooler finish remains clearly visible. The open paperclip links also introduce a stronger, more architectural texture.
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03
THE WARMER REPEAT
FINISH WITH THE GOLD PAPERCLIP CHAIN
Repeat the same link shape in gold. The shared paperclip silhouette connects the two chains, while the contrasting finishes make each layer distinct.
THE STYLING NOTES
THREE MIXED METAL NECKLACE TRICKS
The stack should look collected, not crowded. Length, texture and repetition matter more than creating an exact gold-to-silver ratio.
SEPARATE THE LENGTHS
Give each pendant and charm its own level. When two necklaces sit at almost the same length, the chains can tangle and the contrast between gold and silver becomes less visible.
REPEAT A SHAPE, NOT A COLOUR
A gold and a silver paperclip chain work together because the links share the same design language. The matching silhouette provides cohesion while the finishes create contrast.
USE ONE QUIETER LAYER
A cord or finer chain gives the eye somewhere to rest. It also prevents two bolder paperclip chains and their charms from feeling visually heavy.
SHOP THE NECKLACE STACK
THREE LAYERS. THREE DIFFERENT JOBS.
Start with the adjustable cord, add the cooler silver paperclip chain, then bring gold back with a second Vittoria necklace.
THE COLOUR BREAK
ADJUSTABLE GOLD CORD & LAPIS PAISLEY EVIL EYE
The lighter, quieter layer that adds colour and separates the two paperclip chains.
SHOP THE CORD NECKLACE
THE SILVER LINE
VITTORIA SILVER PAPERCLIP CHAIN NECKLACE
The cooler, architectural layer that introduces silver and gives the necklace stack definition.
SHOP SILVER VITTORIA
THE GOLD REPEAT
GOLD PAPERCLIP CHAIN & VITTORIA HOOK CHARM
The warmer final layer, repeating the paperclip shape while bringing gold back into the necklace stack.
SHOP GOLD VITTORIATHE MIXED METAL HAND
HOW TO WEAR MIXED METAL RINGS
The easiest way to wear gold and silver rings together is to begin with one two-tone linked ring that already combines both finishes in a balanced, pre-styled stack.
From there, wear the ring alone as the focal point or add one simpler gold or silver band on a neighbouring finger. The connected design creates enough movement and contrast without requiring several separate rings.
THE HERO RING
CLARA BUILDS THE STACK FOR YOU
Clara brings gold and white-rhodium finishes together in one sculptural linked-ring design, making it an immediate bridge between the gold and silver jewellery already in your collection.
Because the bands are connected, the proportions, spacing and contrast have already been considered. Wear Clara alone on the index or middle finger, or use it as the centre of a wider mixed metal ring stack.
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01
THE STARTING POINT
BEGIN WITH ONE TWO-TONE RING
Let Clara establish both metal finishes before adding any separate bands. It immediately makes the mixed-metal decision look deliberate.
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02
THE PLACEMENT
GIVE THE LINKED RING SPACE
Wear the strongest ring on the index or middle finger, where its connected structure can move and remain fully visible.
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03
THE SECOND METAL
REPEAT ONE FINISH NEARBY
Add one slim gold or silver band to a neighbouring finger. This echoes one of Clara’s finishes without making the hand feel overloaded.
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04
THE EDIT
LET THE STRUCTURE DO THE WORK
A linked ring already creates the appearance of a layered stack. Keep the remaining rings simpler so the sculptural design remains the focus.
THE RING-STACK FORMULA
THREE WAYS TO MAKE THE METALS CONNECT
A successful gold-and-silver ring stack needs one point of connection. That can come from a two-tone finish, a repeated shape or a shared surface detail.
USE A TWO-TONE BRIDGE
A ring containing both gold and white-rhodium finishes connects separate gold and silver bands immediately. Place it at the centre of the hand or stack.
VARY THE BAND WIDTHS
Pair a wider linked ring with one or two slimmer bands. A mix of proportions keeps the hand interesting while leaving enough space around every piece.
REPEAT ONE DESIGN DETAIL
Connect the rings through polished loops, twisted bands or pavé detailing rather than trying to create a perfect fifty-fifty split between gold and silver.
SHOP MIXED METAL RINGS
THE STACK, ALREADY CONNECTED
Choose the shape that suits your hand: Clara for the hero statement, Nora for cleaner lines, Livia for a lighter double band or Carmella for maximum movement.
THE HERO
CLARA TWO-TONE LINKED BAND RING
A sculptural mixed metal statement designed to anchor the complete ring story.
SHOP CLARA
THE CLEAN LINE
NORA LINKED PAVÉ RING — TWO TONE
A polished mixed metal band and a finer pavé line connected by a sculptural gold loop.
SHOP NORA
THE LIGHTER STACK
LIVIA SPEIRA DOUBLE BAND RING — TWO TONE
A twisted white-rhodium band linked with a polished gold pavé bar for a lighter mixed-metal silhouette.
SHOP LIVIA
THE FULL STATEMENT
CARMELLA SPEIRA TRIPLE BAND RING — TWO TONE
Three contrasting linked bands create the strongest and most architectural mixed metal ring in the edit.
SHOP CARMELLATHE EDIT
HOW TO MIX METALS WITHOUT IT LOOKING ACCIDENTAL
Mixed metal jewellery looks intentional when the contrast is repeated, the proportions are varied and one piece is allowed to lead.
Most styling problems come from treating gold and silver as separate additions rather than parts of one complete jewellery look. These are the six most common mistakes—and the simple adjustments that fix them.
THE ISOLATED METAL
USING THE SECOND METAL ONLY ONCE
THE MISTAKE
Wearing several gold pieces with one isolated silver earring or ring can make the cooler finish appear unplanned.
THE FIX
Repeat the silver once more with a small stud, huggie, ring band or necklace detail. The second appearance creates the connection.
TOO MANY HEROES
MAKING EVERY PIECE EQUALLY BOLD
THE MISTAKE
Combining statement hoops, several large rings and multiple heavy necklaces can make the metals compete for attention.
THE FIX
Choose one focal piece—a mixed metal hoop, linked ring or pendant—then support it with smaller, quieter jewellery.
ONE-SIZE STYLING
KEEPING EVERY PIECE AT THE SAME SCALE
THE MISTAKE
Earrings of identical size, necklaces at the same length or rings of equal width can make a mixed-metal look feel crowded.
THE FIX
Graduate hoop and huggie sizes, separate necklace lengths and mix wider rings with slimmer bands to create a clearer rhythm.
NO VISUAL CONNECTION
FOCUSING ONLY ON METAL COLOUR
THE MISTAKE
Choosing pieces only because one is gold and another is silver can leave the jewellery without a shared design language.
THE FIX
Connect the pieces through rounded shapes, twisted lines, polished surfaces, pavé detailing or similar proportions.
FORCED SYMMETRY
TRYING TO CREATE A PERFECT 50/50 SPLIT
THE MISTAKE
Counting gold and silver pieces can make the styling feel rigid and distract from the overall balance of the look.
THE FIX
Let one metal lead and use the other as contrast. A mostly gold look with two deliberate silver details can feel entirely complete.
NO BREATHING ROOM
ADDING TOO MANY PIECES TOO CLOSE TOGETHER
THE MISTAKE
When every piercing, finger or necklace level is filled, the contrast between the different finishes becomes difficult to see.
THE FIX
Leave space around the strongest pieces. The separation allows each metal, shape and finish to remain visible.
WEAR IT. THEN CARE FOR IT.
HOW TO CLEAN MIXED METAL JEWELLERY
Mixed metal jewellery should be cleaned gently because one piece may combine several finishes, including gold plating, sterling silver, white rhodium or black rhodium.
The safest approach is to treat the complete piece according to its most delicate finish: use mild soap, minimal pressure and nothing abrasive.
THE QUICK ANSWER
WATERPROOF,BUT WORTH CARING FOR
IS MIXED METAL JEWELLERY WATERPROOF?
Galleria Armadoro mixed metal jewellery is designed for everyday water exposure without the colour discolouring or leaving green marks on your ears, neck or fingers.
Waterproof does not mean maintenance-free. Perfume, chlorine, hairspray, skincare residue and harsh cleaning products can build up on the surface or gradually affect the finish. A little care will keep the jewellery looking newly polished for much longer.
THE SAFE METHOD
FIVE STEPS. NO AGGRESSIVE SCRUBBING.
This gentle method works for everyday build-up on mixed metal hoops, huggies, rings, chains and charms.
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01
PREPARE MILD SOAPY WATER
Add a few drops of gentle washing-up liquid to lukewarm water. Avoid very hot water and strong household cleaners.
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02
CLEAN GENTLY
Use a soft lint-free cloth or a very soft brush around hinges, links and settings. Do not scrub plated or rhodium-finished surfaces aggressively.
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03
RINSE BRIEFLY
Remove all soap with clean lukewarm water. Avoid leaving mixed metal jewellery soaking for unnecessarily long periods.
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04
DRY COMPLETELY
Pat the jewellery dry with a clean lint-free cloth, paying particular attention to clasps, links and the spaces between connected ring bands.
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05
POLISH LIGHTLY
Finish with a soft jewellery cloth using minimal pressure. Avoid abrasive silver dips or polishing pastes on a piece that also contains gold plating or rhodium.
DO
HELP THE FINISH LAST LONGER
- Wipe jewellery after wearing it
- Let perfume and skincare dry before dressing
- Dry every piece thoroughly after cleaning
- Store necklaces separately to prevent tangling
- Keep linked rings apart from harder or sharper jewellery
AVOID
THE THINGS THAT AGE JEWELLERY FASTER
- Chlorinated swimming pools
- Bleach and household cleaning products
- Toothpaste, vinegar and abrasive pastes
- Rough brushes or polishing with heavy pressure
- Storing jewellery while it is still damp
THE QUESTIONS, ANSWERED
MIXED METAL JEWELLERY FAQS
Yes, gold and silver belong together. Here are the practical answers to the questions most often asked about mixed metal hoops, rings, necklaces and everyday styling.
Begin with one two-tone piece, repeat both finishes and use shape, scale or texture to connect the complete jewellery look.
01 WHAT IS MIXED METAL JEWELLERY?
Mixed metal jewellery combines two or more metal colours or finishes in one look. The contrast may appear within one two-tone piece or by wearing separate gold, silver, white-rhodium or black-rhodium designs together.
02 IS IT OKAY TO WEAR GOLD AND SILVER JEWELLERY TOGETHER?
Yes. Gold and silver jewellery can be worn together in the same ear stack, ring combination or necklace layer. Repeat both finishes and use one two-tone piece to make the contrast feel deliberate.
03 WHAT IS THE DIFFERENCE BETWEEN MIXED METAL AND TWO-TONE JEWELLERY?
Mixed metal jewellery describes the complete look created by wearing different metal finishes together. Two-tone jewellery is one individual piece intentionally designed with two contrasting finishes.
04 HOW DO YOU MAKE MIXED METAL JEWELLERY LOOK INTENTIONAL?
Start with one bridge piece containing both finishes, choose a leading metal and repeat the secondary metal at least once. Connect the pieces through a shared shape, scale, texture or polished finish.
05 CAN YOU WEAR GOLD AND SILVER EARRINGS IN THE SAME EAR?
Yes. Use a mixed metal hoop or huggie as the anchor, then repeat gold and silver in smaller earrings higher on the ear. Varying the sizes keeps the stack balanced.
06 HOW DO YOU STYLE MIXED METAL HOOPS?
Wear the mixed metal hoop in the first lobe as the largest earring. Add smaller gold and silver huggies or studs above it, repeating both finishes without using several equally bold pieces.
07 CAN YOU WEAR GOLD AND SILVER RINGS TOGETHER?
Yes. Begin with a two-tone ring, then repeat either gold or silver on a neighbouring finger. Vary the band widths and leave space around the most sculptural ring.
08 ARE MIXED METAL RINGS IN STYLE?
Yes. Mixed metal rings remain a versatile way to combine gold and silver without dividing a jewellery collection by colour. Linked and pre-stacked two-tone rings make the combination especially easy to wear.
09 CAN YOU LAYER GOLD AND SILVER NECKLACES TOGETHER?
Yes. Place the chains at different lengths, vary their weights and repeat one design detail, such as a paperclip link or charm shape. Each pendant should have its own visible level.
10 DOES MIXED METAL JEWELLERY HAVE TO BE GOLD AND SILVER?
No. Mixed metal jewellery can combine any contrasting metal colours or finishes, including gold with white rhodium, gold with black rhodium or rose gold with silver.
11 IS BLACK RHODIUM WITH GOLD CONSIDERED MIXED METAL JEWELLERY?
Yes. Gold and black rhodium create a high-contrast mixed metal finish. The gold adds warmth, while the black-rhodium detail gives the design a darker and more graphic outline.
12 SHOULD JEWELLERY MATCH A WATCH OR HANDBAG HARDWARE?
No. Jewellery does not need to match the metal on a watch, handbag or belt. Repeat that hardware colour once within the jewellery look, or use a two-tone piece to connect it.
13 DOES MIXED METAL JEWELLERY SUIT EVERY SKIN TONE?
Yes. Mixed metal jewellery combines warm and cool finishes, so it is not restricted to one skin undertone. Let the metal you enjoy wearing most become the leading finish.
14 IS GALLERIA ARMADORO MIXED METAL JEWELLERY WATERPROOF?
Yes. Galleria Armadoro mixed metal jewellery is designed for normal everyday water exposure without the colour discolouring or leaving green marks on the ears, neck or fingers. Gentle care will help the finish remain looking new for longer.
15 HOW DO YOU CLEAN MIXED METAL JEWELLERY?
Clean mixed metal jewellery with lukewarm water, a small amount of mild soap and a soft cloth or brush. Rinse briefly, dry completely and avoid abrasive dips, polishing pastes and harsh chemicals.
16 CAN MIXED METAL RINGS BE RESIZED?
It depends on the ring’s construction. Linked, connected or multi-band rings may have limited resizing options because altering one band can affect the complete structure. Check the individual product details before purchasing.
17 CAN YOU MIX ROSE GOLD WITH GOLD AND SILVER?
Yes. Rose gold can soften the contrast between yellow gold and silver. Keep one finish dominant, repeat each secondary colour and avoid making every piece equally bold.
18 IS MIXED METAL JEWELLERY SUITABLE FOR EVERYDAY WEAR?
Yes. Mixed metal jewellery is particularly practical for everyday wear because it coordinates with both gold and silver pieces, watches and accessories already in your wardrobe.
